Pop Shield

Tales Of A Radio Sound Engineer. This blog is dedicated to Caroline who kicked my ass to do it. Follow @popshield on Twitter @Popshieldblog on Facebook.

A Woo Story

So, here – by popular demand – is a little tale about an influential US hip-hop collective called the Woo Woo Gang and a bunch of live sound engineers.

It’s my first year of working on the main stage of Mudstock Festival with some of the world’s biggest rock bands. My job is to be up on stage in constant communication with our expert balancers in the backstage sound truck to assist in the line checks. High profile, high pressure and at times a stressful and noisy environment. The sound is being mixed not only to a massive crowd, but live to radio, live to TV and so on. Teamwork amongst the stage and truck crew is key in this kind of situation. You need to get on with everyone, pick your moment carefully and get your point across concisely.

Having just got married, I had had little time to mentally prepare for the job ahead. I literally had unpacked from honeymoon, thrown some stage blacks and a multitool in a suitcase. In the moments before leaving the house, it inexplicably became a priority to plug my name into the Woo Woo Gang Online Name Generator and see what it came up with. Aptly it seemed, ‘Wacko Pupil’. So, I then searched for my teammates’ names and shared the results with them in the car on the way down to Mudstock – much amusement all round.

On arrival, more Woo names were quickly attributed to our colleagues working on other stages. By the next day the main stage PA crew also had their own Woomonickers. It was decided that we would refer to each other solely by Woo nicknames on the talkback: Scratch, Conq, Smiley, X-Pert, Wacko and so on. Anyone not using the correct name was snubbed. This added a game element to an already pretty complicated task.

Woomania rolled on and on. Even certain hit producers visiting the truck were entered into the Woo Name Hall Of Fame. Scratchin’ Leader, Ruff Begga, Arrogant Conqueror, Thunderous Menace, Pesty Mercenary, Undiscovered Bum, Bittah Contender – the list pinned up in the truck became longer and longer.

By the time the Woo Woo Gang hit the stage, Woophoria has reached fever pitch. It’s a joy to witness the moment that two coincident yet separate worlds collide. Made funnier of course by the fact that only fifty percent of the participants are in on the joke. At the side of the stage is a band dressed in trainers and dressing gowns holding bottles of champagne. They are doing little gangster jogs in readiness to run on looking all tough and hard. Meanwhile, just metres away from the real deal is the sound of Scratch calling out to Fearless on open talkback. And Fool is sat at his laptop generating more Woo names.

Just funny.

Don’t I Know You?

Charming Rusty Claypole the Victorian scarecrow is back in the building to give an interview about his new Hollywood movie. This is the first time I’ve seen him since fading up the last telephone balance unit of his radio career.

Rusty enters the studio. He says hi to The Team and gives me a really long hard puzzled stare.

“Don’t I know you?” he exclaims.

“Yes, of course, hello again!” I say, not mentioning the thing that must not be mentioned.

“Hang on a minute”, says he, “I know you; I know all of you! OMG, I used to work here!”

Pop Quip

Pickering: I met the singer Frank Munro once, lovely bloke. Have you met him?

Piper: Yes, I have. I thought he was a bit of a letch actually.

Pickering: Oh, I didn’t know he slept with you too!  And I thought I was special!

– Peter ‘The Acquisitor’ Piper and Pop Pickering quip relentlessly for five hours during our studio recording.

Not So Goods Lift

Noah’s Ark – one of the nicest (and talented) young bands you could meet – came to make history at the world-famous Maid Of Orleans Studios today.  ‘Twas a pity then that their lovely gear got stuck in the ancient goods lift.  The same band who famously had £100,000 of lovely vintage gear stolen from a trailer a few years back.  Undeserved gear karma, I’d say.

The lift in question is one of those where you have the grille that goes across followed by a sliding door on the outside. One of the band’s magic carpets had slid off the top of a flight case trolley and was trapped in the grille.  Everything was tantalisingly near to the ground but as the exterior door was locked shut there was no way to unload it.  Being a Saturday, there was no one on site able to open it up. So, we had to wait a good three hours for a lift engineer to appear on site.

Luckily the session was not live. Faced with an impasse, the band’s sweet nature seemed to intensify.  The lead singer even offered to go and buy us some sandwiches. Later, we were able to make up for lost time and the mood was positively peachy throughout.

A Day In The Life Of Equipment Faults

February can be a tricky and sticky month. God only knows why. And now, everything has gone awry with our trusty studio equipment.  Reliability is a very important quality in man, animal and machine alike.

In the last twenty-four hours my colleagues and I have been involved in a head-spinning, plate-spinning stress-inducing performance of fault-finding, fault-reporting and confusion-diffusion. And of course, nothing is ever allowed to stand in the way of getting the Nations Favourite radio shows made.

Here is a summary of the various faults:

Failure of playout server – faulty hard disk and cache disk replaced.

Distorted cue send on telephone balance unit via talkback panel.

Telephone balance unit silent owing to fault at exchange.

Telephone balance unit failing to divert to desk.

Corrupted desk aux causing the reverb unit to be routed to itself.

Fault 5 was nasty. It produced a horrible howl-round every time the reverb was faded up during soundcheck for country queen Peggy Lou. The fault rendered the reverb unit unusable, but this sadly wasn’t an option due to the material.  So, I was left with no other option but to reset the entire desk and start again. Not good. Times like these it would be useful to be able to snapshot desk settings rather than the usual situation.  Which is generally a piece of camera tape that someone has drawn a button on and hilariously written the word ‘Snapshot’ under it. Not the first time I’ve been here and it’s stressful. At least we weren’t live to the airwaves.

Amongst the madness of the day, Max Marbles, a 1980’s TV presenter (also the father of charismatic radio presenter Mavis Marbles) arrives for an interview. Lovely chap. In fact, my partner was a participant on one of his kids shows back in the day, owing to owning up about owning a sizeable collection of vintage light bulbs. We had a little chat and a laugh about it. Max asked if the collection still exists. “Yes, it is cluttering up the garage”, I replied. “Well hang onto it, it will probably be worth a few bob soon” he says.

Well, that’s all fine then.  I can relax in the knowledge we’ve got a nest egg to fall back on.

Ventriloquism On The Radio?

Today I arrived at the theatre to work on a radio comedy show in front of a live audience.  Imagine my delight to discover one of the guests was going to be with a 1970s ventriloquist sensation called Nigel De Saucie and his puppet sidekick Cookie The Dog.

We didn’t put an extra mic out for the dog and I kind of regretted it.  I feels it gave the game away to the audience.  I’m not sure if radio’s quite the right medium for ventriloquism anyway.  Believe me, it won’t catch on.

Diddy or Diddny?

Many moons ago, Nick Waterfall, who is a very courteous engineer friend of mine, notoriously uttered these very English words:

Would you like a cup of tea Mr Dogg?”

To the rap artist, Dirdy Ole Dogg.

A bit like how Dave Wrong just loves to call blues hobo Vertigo Vince, “Verty”.

I am excited, because I’ve heard from Nick that he is recording a session with rapper Diddy Do Dat today. He is wondering whether to try and introduce him to vintage joke band Do Wah Diddy and the Doddymen, who Mr Diddy will almost certainly not be aware of.

Some female newsreaders aren’t just famous and dishy, they manufacture lovely pink goats’ wool socks too.  And look, I’ve been given some. This is the second item of celebrity underwear I have received in my engineering career.  I was also given a pair of frilly ‘thank you’ knickers by lead singer and actress Clare Gregory. […]

Tea for Two

Some days, visitors to the Corporation radio studios have unfulfillable beverage requests.  Nothing outlandish, just a concoction that slips outside the corporation staples of tea, weak coffee or water.  Hot water and honey is a regular request to be greeted by production staff with a smile and a shoulder-shrug, and a waft in the direction of Presque.

When award-winning arranger, composer and songwriter Dick Cadillac featured on Culture Chat a few years ago he asked the producer for green tea. As a regular drinker of the stuff, I was able to magic a sachet out of my old kit bag.

Today, Roy Jones, lead singer of The Twists, has come in for an interview with Jack Daniel. He has a terrible head cold and is asking for hot water and honey and tissues.  An operative is dispatched to the shops.

Now, it so happens, that I had passed The Organic Planet on the way to work and decided to pop in for some Ayurvedic teas.  And here, I am presented with the perfect excuse to try and foist my pungent herbs on rock royalty.

“I can offer you a Yoga Cold Season, Roy?”  I ask, jubilantly.

Roy doesn’t look up, nor does he indicate yes or no.  He just pleads plaintively; “Anything “.

I decide to leave the teabag next to his cup of hot water and return to my faders.

Roy sniffs and coughs his way through the ensuing ninety minutes of questioning by Jack Daniel. Jack keeps him focussed on the job in hand with steely determination and responds to “Can I use the loo?” calmly with another question about how Roy wrote his hit song “Lilo”.

The interview wraps.  Jack, ever a tidy man, gathers his papers (having conducted the entire interview without needing to refer to them once), together with the unopened teabag pouch and leaves the room.

Celebrity Froth

Ivor Tenor: I’m going out to get myself a coffee.  Who wants one?

Ricky: Are you getting proper coffee?

Ivor Tenor: I’m a household name, Ricky.  Of course I’m getting proper coffee.