Pop Shield

Tales Of A Radio Sound Engineer. This blog is dedicated to Caroline who kicked my ass to do it. Follow @popshield on Twitter @Popshieldblog on Facebook.

We Are Not Amused

There was a big hubbub around the corporation on Friday, when we had a royal visitor come to open the new building.  This prompted a very surreal piece of TV where the narrative follows the queen as she enters the newsroom to a flood of journalists and staff filming and taking photos, then it cuts to the corporation newsreaders behind the glass turning round and looking out at the queen as the queen looks at them, whilst the internal media circus captures it all on camera.  Looking at the footage is like a man painting a picture of a man painting a picture… it makes your head go a bit funny.

Speaking of funny, later on the queen is forced to sit on an uncomfortable chair in The Lounge whilst high-maintenance luke-warm soft-rock act The Scroll sing a ballad at her in an excruciating fashion.  Prior to this moment, I am reliably informed that an advance-party aide came in and declared which instruments were too loud (points at acoustic guitar) and must be turned down.  Throughout the performance the queen has a face like thunder – wouldn’t you – she claps ONCE, grabs for her handbag and makes a run for it.

I don’t know which is more exciting, royalty in The Lounge, or the fact that Mate is on the knobs and furthermore he is rumoured to have been wearing a beige suit especially for the occasion.

Update: Mate previously spotted wearing said suit at his wedding.

Ins And Outs…

The heavy art deco doors at the entrance to the Old Mothership may be beautiful, but boy are they dysfunctional. They consist of two sets of three double doors, and on any given day a random two of the six ever seem to be working. They open automatically, but so slowly that you have to walk like a prowling tiger with an uncomfortable stop-start gait, trying to disguise your fear that they might swallow you up altogether.

Once inside the entrance, the two revolving security doors fare no better. Far too small for some of us, they require more of a tap on the card reader – dash – penguin shuffle action. I’ve seen portly colleagues get right stuck in them and cause a ruckus.

Years ago, when everyone told me how hard it was to get into the Corporation, I didn’t realise they meant this.

So, imagine my delight when I entered the building recently to discover that the two revolving doors have been replaced by one enormous glass revolving door. Hurrah! At last, we can enter our workplace through something which has been sensibly designed!

So, I carry out my shift and come back down to the entrance ready to exit the lovely new door. But when I get there, there’s a commotion going on with staff backed-up along the corridor and a security guard shouting through the glass ‘Pull it out! You’ve got to PULL IT OUT to reset it!”.

Hmm, now what’s this all about? Well, it immediately becomes clear. In order for the door to revolve you have to press a button. But no, not the HUGE RED BUTTON RIGHT IN FRONT OF YOUR NOSE but the high up insignificant-looking camouflaged black button up at the top. Hurrah – another triumph!

Step Inside This House

Some days I get up, listen to the radio, then I travel to the radio station and get to work on the radio.  It’s like I’ve climbed inside the radio.  Other days I work on the radio, then I go about my merry way afterwards. Maybe I’ll listen to the radio while I’m cooking dinner.  I certainly still enjoy listening to the radio whether I’ve worked on it or not.  If I’m listening to something I’ve helped to create, I’ll get a little kick out it.

Today after work I sat in a dentist’s chair while they piped the Nations Favourite into the room, as they do to all their patients every day.  It happened to be an interview I recorded on Friday with US blues hobo Vertigo Vince.  It sounded reasonably well balanced from what I could hear above the noise of the polisher.

No matter how often it happens, whenever I hear stuff I’ve made at work being played out on somebody else’s radio it just feels so odd.  I just want to go up to them and say, “What on earth are you doing listening to what I made at work on your radio?”  How silly.

Czech Mate

Something different today. I’m going to be working with five electronicore (post-hardcore + metalcore + electronica) musicians from Osaka, Japan.

Now that I’ve got my head round the fact that their surnames are first names, they all look pronounceable in a motorbikey kind of way. Except for one which looks as easy as sushi. I’m definitely going to have a stab at it anyway.

I’m also looking forward to working with my mate Mate today. Mate’s signature approach is to call everyone ‘mate’. It’s failsafe. Business as usual then!

A Flight With The Falcons

It’s Wednesday afternoon at the Nations Favourite. It’s been an eccentric environment today, as ever it is. I enjoy my first ice cream of the season, bought by Suzy Travel who has just been ‘wadded up big time’ by Dave Wrong. Next door Bette Wilde has just won five thousand on the lottery.

At the end of my show, I catch the lift from the top floor. Halfway down the lift doors are held open by a tall man I don’t recognise but he seems pretty friendly. ”You in or out?” I quip. ”In!” he replies, “but I got a few more for you! You’re not in a hurry, are you?”

“Of course not” I reply.

“Say, are you Little Sister or Nates Fave?” He asks, stalling for time. ”Actually both” I reply, “I’m an engineer, so I get around.”

“Oh great!” he says. Whereupon a hoard (perhaps ‘a flight case’ is the collective term?) of ageing US country musicians plus their entourage pile into the lift. I suspect it’s The Falcons. From the look of them, they’ve seen a bottle of whiskey or two in their lifetimes.

The doors close. “Hey everyone!” says the tall guy. ”We’re riding here today with a bona fide corporation engineer!” By their expressions, they, quite understandably, don’t look overly impressed. But there’s possibly plastic surgery involved here, so let’s give them the benefit of the doubt. In any case, they offer to me their hands of friendship. Unfortunately, there really isn’t enough elbow room in here for me to be shaking hands with everyone but hey, this is happening. I do my best in view of the fact that I’m being introduced to some potentially reluctant Falcons in a small packed moving box which is short on cat-swinging space.

The tall guy is unstoppable. “Meet The Falcons! This is Tommy T. Engine! And here’s Jeff James!”

A very short man in the party stares straight ahead of him. This happens to be at my chest. It’s not helping matters. I probably haven’t felt quite this awkward at work since the day that I inadvertently embroiled Martin Larsen in small-talk about my dad’s toilet-reading habits. Or the time I had to carry The Jones’ Brothers guitar out onto the street right behind them into a sea of fans and paps then someone let off a stink bomb. Or when I was quietly trying to calibrate some audio kit in a communal area and – the next thing you know – I’m inexplicably having to escort the brat child of glamour model Syria to the fifth-floor men’s toilets. Whereupon he audibly starts kicking off in there on his own and I’m not entirely sure whether to go in…oh dear, the list is endless…

Anyway. Back to the story. We’ve reached the ground floor and The Falcons gesture to me to step out first even though I’m at the back of the lift. And I’m out. I manage to disentangle myself from the party and bid them all good evening.

The Nations Favourite elevator. You can check out, but you can never leave…

“MOO4 lava lamp incident ref:IN007279”

Throughout February and March, I spent a couple of months down at Maid Of Orleans spending lots of time with my brothers Eusabio, Mike, The Mixmaster General, Mate and Nick mixing bands day in and day out.

Eusabio likes to get the mood going with an Italian lava lamp. However, this is quarantined with corporation hazard tape before you can blink. ”MOO4 lava lamp incident ref:IN007279” reads the official report, accompanied by the attached photo and a reprimanding email from one of the maintenance engineers. ”A lava lamp that was used during a recent event has found its way into MOO4. It was plugged into a 3pin mains socket, the lamp only has a 2pin socket and would have arched or worse given someone an electric shock. I don’t know who owns it or which bloody numpty plugged it in, but can you make sure the owner takes it away before I put it in a bin.”

The bloody numpty in question of course just goes and borrows a US-UK converter from the maintenance engineers and plugs it straight back in. Vibes are back.

Meanwhile Mate tries in vain to improve the performance of New York’s worst ever band by introducing them to marmite.

We see a lot of American punk bands coming through with names like Ravaged Hell and Glory Temple and Alleged Delerium all with their unique group dynamic ranging from collectivism to despotism. This throws me into the company of almost 100% males and a lot of sore throats.

One band in particular give me and Eu a run for our money. It starts badly from the moment they arrive, broken from the offset, with their grumpy disenfranchised unhelpful roadies. As they set up their conversation focusses on the two preferred subjects of bodily functions and chicks. I can feel my soul shrinking. To be fair, Eu doesn’t fare much better with them. “Would you like to give me some time on the kick, snare and hat,” he asks politely. “Not really.” says the drum tech. Ouch. Then some headphone teething troubles start, and I run back into the studio to talk to the guitarist. I become aware that I am speaking in an accent via a set of speech frequencies that he cannot understand. I can see him filing my words under ‘background noise’ in his mind. He then ignores everything I have said and proceeds to turn all the controls on the box randomly and complain. I look down at his customised pedal board and notice to my horror that each pedal has a different anatomical photo on it, all female. I run away and hide in the cubicle.

Eusabio then nurses the lead singer through a fifty-take patch on the screaming lead vocal. No wonder the guy’s lost his voice. We get through the session. Afterwards Eusabio and I chat. ”I was a bit scared of them.” I admit. ”So was I.” he says. “Did you SEE that pedal board with all the lady bits on it!” I exclaim. “Oh, it’s just a bit of fun.” he says. “Fun? FUN? They were STAMPING on those switches!” I reply.

Introducing the Joy Off button. An essential prerequisite for mixing on the StageCrate Aura.

Wobegon’s Wand

Back in the day on the Nations Favourite breakfast show, food was hero-worshipped. Every day Jerry Wobegon always had all manner of food sent in by listeners which was whisked up to the studio, still warm, whereupon the skeleton staff working on the show did their best to consume it all.  Hungry early morning scavengers (other engineers, newsreaders) would circle the studio in the hope of a titbit.  Trembling London Control personnel would survey the studio via the studio cams and to their horror see a full roast turkey will all the trimmings being carved up within spitting distance of the DJ mixing desk.  During the records, they could witness all and sundry cramming as much as they could into their mouths before the next link.  It was never too early for any food stuff, not even an Indian takeaway washed down with flat beer. 

A few years ago on Shrove Tuesday, I happened to be working on the breakfast show on the Nations Favourite.  A catering company had sent in a basket of cooking ingredients to make pancakes: eggs; flour; milk; lemons; sugar and – thoughtfully – a fish slice.  This of course frustrated the hell out of Jerry. “What are we to do here without a range?  Starve!” he proclaimed to the listeners.  ”It’s the engineer’s job to do this, and Pop here hasn’t even offered to get out a skillet or a pan and cook them for us!”.

With this, I was goaded into taking the kit home with me at the end of the day, whereupon I dutifully cooked some delicious pancakes for my nearest and dearest.  This went down very well, as you might imagine.  It took no time at all for the new fish slice to be christened “Wobegon’s Wand”.  

And so, we photographed a snack of steaming pancakes and emailed them to Glasgow Boy.  The following day, Jerry updated the nation on the whole saga.

Since that very day, Wobegon’s Wand has been the best-loved member of our utensil drawer.  It is amazing how much fun you can have in the kitchen, flipping and tossing things while you make up little jokes in your head about it.

Hey Rusty

As I approach the top floor studio today, I walk past a few people emerging from the newsreader’s booth. I instinctively flash a smile and say hello. Then I realise it’s actually Rusty Claypole who has just recorded a quick drop in for Top Cat prior to doing an interview with Dave Wrong. He’s less of a Victorian Scarecrow and more of a Californian hippy these days, but still very charming.  He stops dead in his tracks and looks straight at me with a quizzical face. ”HEY…I KNOW YOU!!?!” he says (which is exactly what he did last time he saw me under similar circumstances). ”Yes, hello Rusty! Nice to see you. I’m Pop Shield. I was one of your engineers when you had a show here on Nations Favourite. I was on The Fateful Show, in fact.” I remind him. “Ah yes, “The Fateful Show”, repeats Rusty. ”How ARE you?” he says.” ”Great!” I say. ”How are you?” “Good, thanks. GIVE ME A HUG!” he replies. So, I hug him. Luckily, it’s a Hollywood kind of hug, all aloof. If a bit awkward. I accidentally get some hair in my mouth. Thankfully Rusty now has clean Hollywood hair to match. I would not wish Rusty’s pre-Hollywood hairstyle in anyone’s mouth, even if I did not like them very much. Anyway, I digress. I move on from the Hollywood hug. “And what are you working on today?” he asks. ”Waylon Wine”, I say with a smile in my eyes. I remember that Rusty used to try and wind-up Waylon when they shared a studio by leaving chaos and silly notes and live goldfish in his wake. ”Ah yes, Waylon!” he replies ”Well nice to see you.” ”Nice to see you too, Rusty” I reply, wandering off, a little bemused by the exchange.

Sea Of Green

A camera crew for Sea Babies has been filming me for a few weeks now to capture my job role for behind the scenes programme about Top Cat’s Breakfast Show. Today I turned up for my TV green-screen moment wearing a turquoise top. What a total numpty!